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Venues of the HarMA Seminar
Location #1
Liszt Ferenc Academy of Music in Budapest
Welcome and Seminar - 1061 Budapest, Liszt Ferenc tér 8 - MAP
Welcome and Seminar - 1061 Budapest, Liszt Ferenc tér 8 - MAP
HarMA 2020
Registration, Welcome, Conferences, training Sessions, coffee Break, Parallel sessions. All the HarMA Seminar is here !
Location #2
Liszt Ferenc Memorial Museum and Research Centre
Liszt Ferenc Museum
Day 1 and Day 3 - 1064 Budapest, VI. ker. Vörösmarty u. 35 - MAP
Liszt Ferenc Museum
Day 1 and Day 3 - 1064 Budapest, VI. ker. Vörösmarty u. 35 - MAP
Cutlural Activities
Mandatory registration at the welcome desk (on Day 1 and Day 2).
Venues of the HarMA Seminar
Location #1
Activities
Registration, Welcome, Conferences, training Sessions, coffee Break, closing concert. All the Seminar is here !
Location #2
Activities
Administration, International Office, Concert Hall, Library visit, ...
Location #3
Library of the Conservatoire royal de Bruxelles
Main Building - 30, rue de la Régence - 1000 Bruxelles - MAP
Main Building - 30, rue de la Régence - 1000 Bruxelles - MAP
Activity
Visit of the Library
Location #4
Activity
Visit of the most famous boy of Brussels: Manneken Pis !
Website of the museum: click here
Website of the museum: click here
Location #5
HarMA Dinner - Day 2, 8PM
HarMA Seminar Dinner at the historical restaurant Greenwich (mandatory Reservation).
Website of the restaurant: click here
Website of the restaurant: click here
Location #6
Auditorium "Joseph Jongen" of the Conservatoire royal de Bruxelles
Annexe Building - 17, rue du Chêne - 1000 Bruxelles - MAP
Annexe Building - 17, rue du Chêne - 1000 Bruxelles - MAP
Activity
Closing Concert, Day 3, 8 PM
April 20, 2020
09:00am - 09:30am
Welcome Coffee and Registration
Átrium - Liszt Ferenc Academy of Music in Budapest
Welcome Coffee and Registration for all the Participants.
SESSION 1
09:30am - 10:00am
09:30am - 10:00am
OPENING ADDRESS
Chair: Salvatore GIOVENI
Dr. Andrea VIGH
Rector, Liszt Ferenc Academy of Music in Budapest
Dr. Miklós MOHAY
Head of Theory Department, Liszt Ferenc Academy of Music in Budapest
Salvatore GIOVENI
President of the HarMA Seminar, IRC, Conservatoire royal de Bruxelles
Chair: Salvatore GIOVENI
Dr. Andrea VIGH
Rector, Liszt Ferenc Academy of Music in Budapest
Dr. Miklós MOHAY
Head of Theory Department, Liszt Ferenc Academy of Music in Budapest
Salvatore GIOVENI
President of the HarMA Seminar, IRC, Conservatoire royal de Bruxelles
Sir Georg Solti - Chamber Hall
Introduction to the HarMA Seminar Event.
10:00am - 11:15am
OPENING PLENARY SESSION
Rémy CAMPOS -CNMSD-Paris and Haute école de musique de Genève
Music Analysis faculty
Rémy CAMPOS -CNMSD-Paris and Haute école de musique de Genève
Music Analysis faculty
Sir Georg Solti - Chamber Hall
Analysis before analysis or how to introduce a new course in a conservatory?
11:15am - 11:45am
Coffee Break and Networking
Sponsored
Sponsored
Átrium
SESSION 2 -
New Curriculum Projects
11:45am - 12:15am
New Curriculum Projects
11:45am - 12:15am
TOPIC SPECIFIC TALK
Chair: Thomas SOLAK -Royal Danish Academy of Music, Copenhague
Fabio FERRUCCI
Conservatorio di Musica “Arrigo Boito” di Parma, Italy
Students’ counselor - Didactic supervisor
Music theory, rhythm and ear training referent professor
Head of theoretical, historical and musicological subjects Department
Chair: Thomas SOLAK -Royal Danish Academy of Music, Copenhague
Fabio FERRUCCI
Conservatorio di Musica “Arrigo Boito” di Parma, Italy
Students’ counselor - Didactic supervisor
Music theory, rhythm and ear training referent professor
Head of theoretical, historical and musicological subjects Department
Sir Georg Solti - Chamber Hall
Old schools and new challenges: Towards a European Eartraining network. The “Sentiamoci a Parma” experience.
12:15am - 12:45am
Topic Specific Talk
Minna HOLKKOLA -University of the Arts Helsinki, Finland
Head of the Department of Composition and Music Theory
Lotta ILOMÄKI -University of the Arts Helsinki, Finland
Lecturer, Department of Composition and Music Theory
Minna HOLKKOLA -University of the Arts Helsinki, Finland
Head of the Department of Composition and Music Theory
Lotta ILOMÄKI -University of the Arts Helsinki, Finland
Lecturer, Department of Composition and Music Theory
Sir Georg Solti - Chamber Hall
Learning, assessment, future musicianship - Aural skills and music theory teachers’ experiences of the new curriculum at the Sibelius Academy, Finland
12:45am - 13:15pm
Welcome Concert
Franz Schubert (1797-1828)
Piano Trio in E-flat major, D.929, 1st movement
Franz Schubert (1797-1828)
Piano Trio in E-flat major, D.929, 1st movement
Sir Georg Solti - Chamber Hall
Csenge Dósa - violin, Hagiwara Riku - cello, Yui Yamane - piano
LUNCH BREAK
13:15pm - 14:45pm
13:15pm - 14:45pm
Lunch Break
Restaurant
Budapest center
Restaurant
Budapest center
Local Restaurant
Networking lunch in the historical center of Budapest : a lunch break will be proposed (Free of charge for the registered participants after confirmation)
SESSION 3 -
Issues occured in MT fields
14:45pm - 15:15pm
Issues occured in MT fields
14:45pm - 15:15pm
TOPIC SPECIFIC TALK
Chair: Margaux SLADDEN -Conservatoire royal de Bruxelles
Antonio GRANDE -Conservatorio di Musica "G. Verdi", Como, Italy
Theory of Harmony and Analysis Professor
Chair: Margaux SLADDEN -Conservatoire royal de Bruxelles
Antonio GRANDE -Conservatorio di Musica "G. Verdi", Como, Italy
Theory of Harmony and Analysis Professor
Sir Georg Solti - Chamber Hall
Layers of sense in music. Ideas for a complex approach to Analysis.
15:15pm - 15:45pm
Topic Specific Talk
Olguța Carmen LUPU -National University of Music Bucharest, Romania
Professor of Music Theory Music and Dean of the Faculty of Composition, Musicology and Music Pedagogy
Olguța Carmen LUPU -National University of Music Bucharest, Romania
Professor of Music Theory Music and Dean of the Faculty of Composition, Musicology and Music Pedagogy
Sir Georg Solti - Chamber Hall
Strategies for improving musical memory.
15:45pm - 16:15pm
Topic Specific Talk
Stefano PROCACCIOLI -Conservatorio statale di Musica "Jacopo Tomadini", Udine, Italy
Professor of Music Analysis and Harmony
Stefano PROCACCIOLI -Conservatorio statale di Musica "Jacopo Tomadini", Udine, Italy
Professor of Music Analysis and Harmony
Sir Georg Solti - Chamber Hall
Classical music theory teaching and today's changing cultural landscape: a challenge?
CULTURAL TOURS
16:15pm
16:15pm
Liszt Ferenc Museum and/or Liszt Ferenc Academy
Liszt Museum
Mandatory registration at 9 AM (2 groups of 20 participants). Address of the Liszt Museum :
April 21, 2020
09:00am - 09:30am
Coffee and Networking
Sponsored
Sponsored
Átrium
SESSION 1
09:30am - 11:00am
09:30am - 11:00am
Training Session
Chair: Olivia WAHNON DE OLIVEIRA - Conservatoire royal de Bruxelles.
László Norbert NEMES - Director of Kodály Institute
Chair: Olivia WAHNON DE OLIVEIRA - Conservatoire royal de Bruxelles.
László Norbert NEMES - Director of Kodály Institute
Sir Georg Solti - Chamber Hall
Singing-based music theory and ear-training for conservatory students according to the Kodály concept.
11:00am - 11:30am
Coffee Break and Networking
Sponsored
Sponsored
Átrium
PARALLEL SESSIONS 2 -
Theoretical Subjects
11:30am - 12:00am
Theoretical Subjects
11:30am - 12:00am
Topic Specific Talk A-1
Nikola KOMATOVIĆ
Independent researcher (Member of SDMT and GMTH)
Nikola KOMATOVIĆ
Independent researcher (Member of SDMT and GMTH)
Sir Georg Solti - Chamber Hall
A New Dawn for Franck? All the features of César Franck's harmonic language.
Topic Specific Talk A-2
Aare TOOL - Estonian Academy of Music and Theatre
Lecturer of music theory
Aare TOOL - Estonian Academy of Music and Theatre
Lecturer of music theory
Lecture Hall 1
Neo-Riemannian Perspectives on Late 19th- and Early 20th-Century Music
12:00am-12:30am
Topic Specific Talk B-1
Máté BALOGH - Franz Liszt Academy of Music, Budapest
Assistant-professor at the Music Theory Department
Máté BALOGH - Franz Liszt Academy of Music, Budapest
Assistant-professor at the Music Theory Department
Sir Georg Solti - Chamber Hall
Non-Classical Harmony Processes in Schubert’s C-major Quintet (D.956)
Topic Specific Talk B-2
Iyad MOHAMMAD -Yarmouk university, Irbid, Jordan
Assistant professor of music analysis, counterpoint, harmony and composition
Iyad MOHAMMAD -Yarmouk university, Irbid, Jordan
Assistant professor of music analysis, counterpoint, harmony and composition
Lecture Hall 1
Music Analysis as a Description of Eventing in Time.
12:30am-13:00pm
Topic Specific Talk C-1
Matthias GIESEN - Anton Bruckner Privatuniversität, Linz
Music Theory faculty
Matthias GIESEN - Anton Bruckner Privatuniversität, Linz
Music Theory faculty
Sir Georg Solti - Chamber Hall
Historical schemata in Anton Bruckner’s early symphonies.
Topic Specific Talk C-2
Thomas SOLAK - Royal Danish Academy of Music, Copenhague
Associate Professor in music theory, Head of educational technology
Thomas SOLAK - Royal Danish Academy of Music, Copenhague
Associate Professor in music theory, Head of educational technology
Lecture Hall 1
Experience-based analysis – Functional harmony brought back to its origin.
LUNCH BREAK
13:00pm - 14:30pm
13:00pm - 14:30pm
Local Restaurant
A lunch break will be proposed in a local restaurant (Free of charge for the registered Participants with mandatory confirmation)
SESSION 3
14:30pm - 16:00pm
14:30pm - 16:00pm
TRAINING SESSION
Chair: Olivia WAHNON DE OLIVEIRA
László STACHÓ -Liszt Academy of Music, Budapest and University of Szeged, Béla Bartók Faculty of Arts,
Department of Teacher Training, Research Fellow
Chair: Olivia WAHNON DE OLIVEIRA
László STACHÓ -Liszt Academy of Music, Budapest and University of Szeged, Béla Bartók Faculty of Arts,
Department of Teacher Training, Research Fellow
Sir Georg Solti - Chamber Hall
Feeling the Musical Structure in Real Time: Innovative Methods in the Music Theory Classroom
16:00pm - 16:30pm
Coffee Break and Networking
Sponsored
Sponsored
Átrium
SESSION 4 -
Teaching Practices
16:30pm - 17:00pm
Teaching Practices
16:30pm - 17:00pm
TOPIC SPECIFIC TALKS
Chair: Margaux SLADDEN
Simonetta SARGENTI -Conservatorio Guido Cantelli di Novara, Italy
Coordinator of the Departement of Composition, History of Music and Didactic
Professor of Analysis, History of music and Electroacoustic music analysis
Chair: Margaux SLADDEN
Simonetta SARGENTI -Conservatorio Guido Cantelli di Novara, Italy
Coordinator of the Departement of Composition, History of Music and Didactic
Professor of Analysis, History of music and Electroacoustic music analysis
Sir Georg Solti - Chamber Hall
Teaching and practice analysis of electroacoustic music. Sound analysis, gesture and communication of emotions.
17:00pm - 17:30pm
Topic Specific Talk
Ante KNESAUREK -University of Zagreb Music Academy, Croatia
Professor of Music Theory, Composition and Keyboard Harmony.
Ante KNESAUREK -University of Zagreb Music Academy, Croatia
Professor of Music Theory, Composition and Keyboard Harmony.
Sir Georg Solti - Chamber Hall
Applying the theoretical knowledge of harmony to the keyboard.
FREE TIME
17:30pm - 19:30pm
17:30pm - 19:30pm
Visits and Networking
Free time
Free time
Budapest Center
HarMA DINNER
20:00pm (to be confirmed soon)
20:00pm (to be confirmed soon)
Local Restaurant
A local Menu will be proposed (Free of charge for the Registered Participants with confirmation)
April 22, 2020
09:00am - 09:30am
SPECIAL INTEREST GROUPS
Sponsored
Sponsored
Lecturer Hall 1 - Lecturer Hall 2 - Room 15 - Kodàly Terem
Participants are invited to share their experiences, methods and innovative teaching practices and projects during this period. Rooms are available and it is mandatory to reserve in advance at the registration desk.
SESSION 1
09:30am - 11:00am
09:30am - 11:00am
Training Session
Chair: Thomas SOLAK - Royal Danish Academy of Music, Copenhague
Alexander STANKOVSKI - Anton Bruckner Privatuniversität, Linz
Music Theory faculty
Chair: Thomas SOLAK - Royal Danish Academy of Music, Copenhague
Alexander STANKOVSKI - Anton Bruckner Privatuniversität, Linz
Music Theory faculty
Sir Georg Solti - Chamber Hall
Avantgarde and tradition: a contradiction?
11:00am - 11:30am
Coffee Break and Networking
Sponsored
Sponsored
Átrium
SESSION 2 -
Digitalization and
Innovative teaching methods.
11:30am - 12:00am
Digitalization and
Innovative teaching methods.
11:30am - 12:00am
TOPIC SPECIFIC TALK
Chair: Edwin CLAPUYT -Conservatoire royal de Bruxelles
Nataša CRNJANSKI -Academy of Arts - University of Novi Sad, Serbia
Professor of Music analysis, Music semiotics and Methodology of teaching theoretical subjects
Chair: Edwin CLAPUYT -Conservatoire royal de Bruxelles
Nataša CRNJANSKI -Academy of Arts - University of Novi Sad, Serbia
Professor of Music analysis, Music semiotics and Methodology of teaching theoretical subjects
Sir Georg Solti - Chamber Hall
How to Teach "Teaching"? Challenges of Higher Music Educational System
12:00am - 12:30am
Topic Specific Talk
Hans AERTS -Hochschule für Musik Freiburg, Germany
Head of the Music Theory Departments
Konrad GEORGI -Hochschule für Musik Freiburg, Germany
Professor of Music Theory and Ear Training
Hans AERTS -Hochschule für Musik Freiburg, Germany
Head of the Music Theory Departments
Konrad GEORGI -Hochschule für Musik Freiburg, Germany
Professor of Music Theory and Ear Training
Sir Georg Solti - Chamber Hall
Historically Informed Music Theory and Digital Learning.
12:30am - 13:00pm
Topic Specific Talk
Fabio DE SANCTIS DE BENEDICTIS -Istituto Superiore di Studi Musicali "Pietro Mascagni", Livorno, Italy
Professor of Music Analysis and of Fundamentals of Composition
Professor of live electronics and Elements of Compositions for Didactics
Fabio DE SANCTIS DE BENEDICTIS -Istituto Superiore di Studi Musicali "Pietro Mascagni", Livorno, Italy
Professor of Music Analysis and of Fundamentals of Composition
Professor of live electronics and Elements of Compositions for Didactics
Sir Georg Solti - Chamber Hall
Open Music as heuristic tool: the case of Fundamental of Composition course in ISSM “Pietro Mascagni” in Livorno, Italy
LUNCH BREAK
13:00pm - 14:30pm
13:00pm - 14:30pm
Local Restaurant
Networking lunch in the historical center of Budapest : a lunch break will be proposed(Free of charge for the Participants)
SESSION 3
14:30pm - 15:30pm
14:30pm - 15:30pm
CLOSING COMMENTS
Chair: Salvatore GIOVENI - Conservatoire royal de Bruxelles
Chair: Salvatore GIOVENI - Conservatoire royal de Bruxelles
Sir Georg Solti - Chamber Hall
Closing comments and debate about the second edition of HarMA.
END OF THE HarMA 2020
15:30pm
15:30pm
CULTURAL TOURS
15:30pm
15:30pm
Liszt Ferenc Museum and/or Liszt Ferenc Academy
Liszt Museum
Mandatory registration at 9 AM (4 groups of 20 participants). Address of the Liszt Museum :
List of Participants (2020)
Austria
Anton Bruckner Privatuniversität, Linz
Matthias GIESEN
Music Theory faculty
Alexander STANKOVSKI
Music Theory faculty
Matthias GIESEN
Music Theory faculty
Alexander STANKOVSKI
Music Theory faculty
AUDIENCE
Belgium
Conservatoire royal de Bruxelles
Edwin CLAPUYT
Music Analysis faculty
Computer Aided Music Professor
Salvatore GIOVENI
Founder and President of the HarMA Seminar Event
Music Theory faculty
International Relations Coordinator
Margaux SLADDEN
Music History and Interpration Class faculty
Olivia WAHNON DE OLIVEIRA
Head Librarian
Encyclopedia of Music faculty
Edwin CLAPUYT
Music Analysis faculty
Computer Aided Music Professor
Salvatore GIOVENI
Founder and President of the HarMA Seminar Event
Music Theory faculty
International Relations Coordinator
Margaux SLADDEN
Music History and Interpration Class faculty
Olivia WAHNON DE OLIVEIRA
Head Librarian
Encyclopedia of Music faculty
Organizational Committee
Belgium
Koninklijk Conservatorium Brussels
Jurgen DE PILLECYN
Head of the Composition Departement and Composition faculty
Jan D'HAENE
International Relations Coordinator, Professor of Music Writing
Maarten VANDENBEMDEN
Harmony & Music Analysis faculty and Harmony on keyboard for guitarists
Jurgen DE PILLECYN
Head of the Composition Departement and Composition faculty
Jan D'HAENE
International Relations Coordinator, Professor of Music Writing
Maarten VANDENBEMDEN
Harmony & Music Analysis faculty and Harmony on keyboard for guitarists
AUDIENCE
Czech Republic
University of Ostrava | Faculty of Fine Arts and Music
Martin ČURDA
Vice-dean of studies and lecturer in music theory and history of music
Martin ČURDA
Vice-dean of studies and lecturer in music theory and history of music
AUDIENCE
Croatia
University of Zagreb, Academy of Music, Zagreb
Ante KNESAUREK
Professor of Music Theory, Composition and Keyboard Harmony
Ante KNESAUREK
Professor of Music Theory, Composition and Keyboard Harmony
AUDIENCE
Danemark
Royal Danish Academy of Music, Copenhague
Thomas SOLAK
Associate Professor, Music Theory
Head of Educational Technology
Thomas SOLAK
Associate Professor, Music Theory
Head of Educational Technology
AUDIENCE
Estonia
Estonian Academy of Music and Theatre
Kerri KOTTA
Music Analysis faculty
Aare TOOL
Lecturer of music theory
Kerri KOTTA
Music Analysis faculty
Aare TOOL
Lecturer of music theory
AUDIENCE
Estonia
University of Tartu | Viljandi Culture Academy
Themuri SULAMANIDZE
Music Theory and Piano Accompaniment faculty
Themuri SULAMANIDZE
Music Theory and Piano Accompaniment faculty
AUDIENCE
Finland
University of the Arts Helsinki - Sibelius Academy
Minna HOLKKOLA
Head of Department: Composition and Music Theory
Lotta ILOMÄKI
Lecturer, Faculty of Composition and Music Theory
Minna HOLKKOLA
Head of Department: Composition and Music Theory
Lotta ILOMÄKI
Lecturer, Faculty of Composition and Music Theory
AUDIENCE
France
CNSMD - Paris
Haute école de musique de Genève
Rémy CAMPOS
Music analysis faculty
Haute école de musique de Genève
Rémy CAMPOS
Music analysis faculty
PLENARY SESSION #1 - SPEAKER
Germany
Hochschule für Musik Freiburg
Hans AERTS
Head of the Music Theory Departments
Konrad GEORGI
Professor of Music Theory and Ear Training
Hans AERTS
Head of the Music Theory Departments
Konrad GEORGI
Professor of Music Theory and Ear Training
AUDIENCE
Germany
Hochschule für Musik Würzburg
Markus SOTIRIANOS
Speaker of Music Theory and Composition Department, Full time faculty
Markus SOTIRIANOS
Speaker of Music Theory and Composition Department, Full time faculty
AUDIENCE
Hungary
Kodály Institute
Dr. László Norbert NEMES
Director of Kodály Institute
Dr. László Norbert NEMES
Director of Kodály Institute
SPEAKER - Training Session
Hungary
Ferenc Liszt Academy of Music in Budapest
Máté BALOGH
Assistant-professor of Music Theory at the F. L. Academy and at the Kodály Institute
Balázs HORVÁTH
Assistant professor in Music Theory Departments
Nóra KERESZTES
Associate professor in Music Theory Departments
Lecturer PhD at the Department of Theoretical Music Study
Katalin KOMLÓS
Professor Emerita
Miklós MOHAY
Head of Music Department
Boglarka TERRAY
Associate professor of Ear Training and Music Theory
Máté BALOGH
Assistant-professor of Music Theory at the F. L. Academy and at the Kodály Institute
Balázs HORVÁTH
Assistant professor in Music Theory Departments
Nóra KERESZTES
Associate professor in Music Theory Departments
Lecturer PhD at the Department of Theoretical Music Study
Katalin KOMLÓS
Professor Emerita
Miklós MOHAY
Head of Music Department
Boglarka TERRAY
Associate professor of Ear Training and Music Theory
Organizational Committe - Boglarka TERRAY
Hungary
Ferenc Liszt Academy of Music in Budapest | University of Szeged – Béla Bartók Faculty of Arts
László STACHÓ
Research fellow, Department of Teacher Training (Liszt Academy)
László STACHÓ
Research fellow, Department of Teacher Training (Liszt Academy)
SPEAKER
Ireland
Dundalk Institute of Technology
Adèle COMMINS
Head of Department of Creative Arts, Media and Music
Adèle COMMINS
Head of Department of Creative Arts, Media and Music
AUDIENCE
Italy
Conservatorio "Luigi Cherubini" di Firenze
Raffaelle MOLINARI
Professor of Music Analysis and Harmony
Raffaelle MOLINARI
Professor of Music Analysis and Harmony
AUDIENCE
Italy
Conservatorio di Musica Arrigo Boito, Parma
Fabio FERRUCCI
Didactic supervisor and Students' counsellor
Head of Theoretical, historical and musicological subjects department
Ear training faculty
Fabio FERRUCCI
Didactic supervisor and Students' counsellor
Head of Theoretical, historical and musicological subjects department
Ear training faculty
AUDIENCE
Italy
Conservatorio di musica “Alfredo Casella” - L'Aquila
Simone PALMIERI
Harmony and Music analysis faculty
Simone PALMIERI
Harmony and Music analysis faculty
AUDIENCE
Italy
Conservatorio di Musica “Giuseppe Martucci”, Salerno
Marina MEZZINA
Head of Music Theory Departments and Music Theory faculty
Fabrizio ELVETICO
Music Analysis faculty
Catello GALLOTTI
Theory of Harmony and Music Analysis faculty
Marina MEZZINA
Head of Music Theory Departments and Music Theory faculty
Fabrizio ELVETICO
Music Analysis faculty
Catello GALLOTTI
Theory of Harmony and Music Analysis faculty
AUDIENCE
Italy
Conservatorio di Musica “Giacomo Puccini”, La Spezia
Fabio LOMBARDO
Choir Conducting faculty
Fabio LOMBARDO
Choir Conducting faculty
AUDIENCE
Italy
Istituto Superiore di Studi Musicali di Cuneo
Giuseppe GIUSTA
Piano accompaniment, Conductor faculty and IRC
Giuseppe GIUSTA
Piano accompaniment, Conductor faculty and IRC
AUDIENCE
Italy
Istituto Superiore di Studi Musicali "Pietro Mascagni", Livorno
Fabio DE SANCTIS DE BENEDICTIS
Professor of Music Analysis and of Fundamentals of Composition
Professor of live electronics and Elements of Compositions for Didactics
Gabriele MICHELI
Choir Conducting faculty
Fabio DE SANCTIS DE BENEDICTIS
Professor of Music Analysis and of Fundamentals of Composition
Professor of live electronics and Elements of Compositions for Didactics
Gabriele MICHELI
Choir Conducting faculty
AUDIENCE
Italy
Conservatorio "N. Piccinni", Bari
Andrea DI PAOLO
Professor of Harmony, Music Analysis and Fundamentals of Composition
Lilia DI MARCO
Head of Theory of Harmony and Music Analysis
Andrea DI PAOLO
Professor of Harmony, Music Analysis and Fundamentals of Composition
Lilia DI MARCO
Head of Theory of Harmony and Music Analysis
AUDIENCE
Italy
Conservatorio “G. Verdi", Como
Antonio GRANDE
Theory of Harmony and Analysis Professor
Antonio GRANDE
Theory of Harmony and Analysis Professor
AUDIENCE
Italy
Conservatorio di Musica Giuseppe Verdi, Milano
Marco LASAGNA
Composition and Music Theory faculty
Marco LASAGNA
Composition and Music Theory faculty
AUDIENCE
Italy
Civica Scuola di Musica "Claudio Abbado" - Fondazione Milano
Alberto MAURIELLO
Professor of Music Theory and Music Analysis
Alberto MAURIELLO
Professor of Music Theory and Music Analysis
AUDIENCE
Italy
Istituto Superiore di Studi Musicali "Luigi Boccherini", Lucca
Massimo BIASIONI
Professor of Harmony, Analysis, Acoustic and IRC
Massimo BIASIONI
Professor of Harmony, Analysis, Acoustic and IRC
AUDIENCE
Italy
Conservatorio Guido Cantelli, Novara
Simonetta SARGENTI
Coordinator of the Departement of Composition, History of Music and Didactic
Professor of Analysis, History of music and Electroacoustic music analysis
Simonetta SARGENTI
Coordinator of the Departement of Composition, History of Music and Didactic
Professor of Analysis, History of music and Electroacoustic music analysis
AUDIENCE
Italy
Conservatorio di Musica "Antonio Scontrino", Trapani
Marco STASSI
Professor of Harmony and Music Analysis
Marco STASSI
Professor of Harmony and Music Analysis
AUDIENCE
Italy
Conservatorio statale di Musica "Jacopo Tomadini", Udine
Stefano PROCACCIOLI
Professor of Music Analysis and Harmony
Stefano PROCACCIOLI
Professor of Music Analysis and Harmony
AUDIENCE
Italy
Conservatorio di Musica Benedetto Marcello di Venezia
Daniela DE MARCHI
Theory of Harmony and Music Analysis faculty
Daniela DE MARCHI
Theory of Harmony and Music Analysis faculty
AUDIENCE
Jordan
Yarmouk University, Irbid
Iyad MOHAMMAD
Assistant professor of music analysis, counterpoint, harmony and composition
Iyad MOHAMMAD
Assistant professor of music analysis, counterpoint, harmony and composition
AUDIENCE
Latvia
Jazeps Vitols Latvian Academy of Music, Riga
Ieva ROZENBAHA
Head of Musicology Department
Ieva ROZENBAHA
Head of Musicology Department
AUDIENCE
Grand Duchy of Luxembourg
Conservatoire de la Ville de Luxembourg
Roland KABER
Assistant Head of Department of Music Theory and Harmony/Counterpoint faculty
Ivan BOUMANS
Music Theory faculty (Harmony, Orchestration, Score Reading)
Roland KABER
Assistant Head of Department of Music Theory and Harmony/Counterpoint faculty
Ivan BOUMANS
Music Theory faculty (Harmony, Orchestration, Score Reading)
AUDIENCE
Netherlands
Codarts Rotterdam
Jan JONGBLOED
Music Theory, Solfeggio and Ear Training faculty
Rijnhard BOKELMANN
Head of the Classical music theory Department - Classical music theory faculty
Jan JONGBLOED
Music Theory, Solfeggio and Ear Training faculty
Rijnhard BOKELMANN
Head of the Classical music theory Department - Classical music theory faculty
Netherlands
Royal Conservatoire The Hague
Suzanne KONINGS
Head of Music Theory
Ida VUJOVIC
Music Theory faculty
Suzanne KONINGS
Head of Music Theory
Ida VUJOVIC
Music Theory faculty
AUDIENCE
Poland
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku, Poland
Renata SKUPIN
Dean of the Faculty of Conducting, Composition and Music Theory and Dr hab., prof. AM, Professor of Music Analysis, Contemporary Methods of Music Analysis, Contemporary Compositional Techniques
Elzbieta FROLOWICZ
Professor of Music Analysis and Harmony
Renata SKUPIN
Dean of the Faculty of Conducting, Composition and Music Theory and Dr hab., prof. AM, Professor of Music Analysis, Contemporary Methods of Music Analysis, Contemporary Compositional Techniques
Elzbieta FROLOWICZ
Professor of Music Analysis and Harmony
AUDIENCE
Poland
The Karol Lipiński Academy of Music in Wrocław
Urszula KOZA
Ear Training and Harmony faculty
Katarzyna BARTOS
Assistant at Karol Lipiński Music Academy, Faculty of Composition, Conducting, Music Theory and Music Therapy
Urszula KOZA
Ear Training and Harmony faculty
Katarzyna BARTOS
Assistant at Karol Lipiński Music Academy, Faculty of Composition, Conducting, Music Theory and Music Therapy
AUDIENCE
Romania
National University of Arts "George Enescu", Iași
Luminița DUȚICĂ
Prof. Ph.D.: Advanced Theory of Music; Theory, Solfeggio, Musical Dictation; Systems for Musical Ear Training; Contemporary Music Languages
Consuela Marcella ȚAGA-RADU
Lecturer Ph. D., Head of the course Opera - Musical Theatre, course Choral ensemble of Opera
Luminița DUȚICĂ
Prof. Ph.D.: Advanced Theory of Music; Theory, Solfeggio, Musical Dictation; Systems for Musical Ear Training; Contemporary Music Languages
Consuela Marcella ȚAGA-RADU
Lecturer Ph. D., Head of the course Opera - Musical Theatre, course Choral ensemble of Opera
SPEAKER - Prof. DUTICA
Romania
National University of Music Bucharest
Olguța LUPU
Professor of Music Theory Music and Dean of the Faculty of Composition, Musicology and Music Pedagogy
Olguța LUPU
Professor of Music Theory Music and Dean of the Faculty of Composition, Musicology and Music Pedagogy
AUDIENCE
Serbia
Academy of Arts - University of Novi Sad
Nataša CRNJANSKI
Professor of Music analysis, Music semiotics and Methodology of teaching theoretical subjects
Nataša CRNJANSKI
Professor of Music analysis, Music semiotics and Methodology of teaching theoretical subjects
SPEAKER
Serbia
Independent (Member of SDMT and GMTH)
Nikola KOMATOVIĆ
Researcher
Nikola KOMATOVIĆ
Researcher
SPEAKER
Spain
Conservatorio Superior de Música "Massotti Littel, Murcia
Brian Santiago MARTÍNEZ RODRÍGUEZ
Music Technology and Computer-assisted Composition faculty
Francisco Javier PÉREZ ALBALADEJO
Heaf of the Composition and Music Theory Departments
Brian Santiago MARTÍNEZ RODRÍGUEZ
Music Technology and Computer-assisted Composition faculty
Francisco Javier PÉREZ ALBALADEJO
Heaf of the Composition and Music Theory Departments
AUDIENCE
Spain
Conservatorio Superior de Música de Vigo
Jacobo GASPAR GRANDAL
Music analysis faculty
Diego David CUEVAS SÁNCHEZ
Composition, Harmony and Music analysis faculty
Jacobo GASPAR GRANDAL
Music analysis faculty
Diego David CUEVAS SÁNCHEZ
Composition, Harmony and Music analysis faculty
AUDIENCE
Sweden
Royal College of Music in Stockholm
Anders SJÖGREN
Senior Lecturer in Music Theory
Director of studies
Anders SJÖGREN
Senior Lecturer in Music Theory
Director of studies
AUDIENCE
Sweden
Karlstad University | Faculty of Arts and Social Sciences
Mats GUSTAVII
Course leader in Music Theory and Composition
Mats GUSTAVII
Course leader in Music Theory and Composition
Swiss
Haute école des arts de Berne
Mark KENNEL
Music Theory and improvisation faculty
Mark KENNEL
Music Theory and improvisation faculty
AUDIENCE
